Glossary of Digital Photographic Terms

Glossary of Digital Photography Terms

The following are important words to know and understand as you explore digital photography.

Aberration:  Essentially, anything in an image that is not supposed to be there. For example, optical imperfections within a lens may cause distortions such as color fringing, barrel distortion or pincushioning.

Active Auto Focus System:  Active autofocus cameras bounce infrared beams off the subject to determine the distance.

ADC(Analog-to-Digital Converter):  A processor used to convert continuous varying (analog) signals into a set of digital values.

AD Converter:  see Analog-to-Digital Converter

Additive Primary Colors:  The red, green and blue hues used to create all other colors.

Adobe RGB:  The color space licensed by Adobe and used by digital camera companies.  This is an expanded color space used for commercial and professional printing.

Adobe RGB (1998):  The color space licensed by Adobe and used in early digital cameras.  This color space is formatted for computers application workspace. Adobe DNG: Digital Negative (DNG) is an open digital camera raw image format owned by Adobe. It is offered as a universal public archival raw format. Launched on September 27 2004. All Adobe photo manipulation software (such as Adobe Photoshop and Adobe Lightroom) released since the launch supports DNG. Adobe DNG MD-5 checksum:Unique validation checksum generated from data of the original raw capture, that  can be used by a number of applications to determine the validity of the critical bits of the file’s data.

AEB:  Automatic exposure bracketing, which takes a series of pictures at different exposures.

Algorithm:  An effective method of solving a problem using a finite sequence of instructions.

A-TTL:  Advanced through the lens flash metering sends out a brief burst of light, for metering, when the shutter button is depressed half-way.  This preflash is recorded by an external sensor on the front of the flash and used to determine a reasonable aperture to ensure adequate depth of field, particularly at short distances. The flash unit then sends out the actual scene-illuminating flash once the shutter has opened.  This type of flash metering has been replaced by E-TTL.

Ambient light: Existing light found in a scene.

AMOLED (Active Matrix Organic light emitting diode): Displays that provide higher refresh rates than their passive-matrix OLED counterparts, improving response time often to under a millisecond, and they consume significantly less power. This advantage makes active-matrix OLEDs well suited for portable electronics, where power consumption is critical to battery life. AMOLED displays may be difficult to view in direct sunlight compared with LCDs because of their reduced maximum brightness.

Analog-to-Digital Converter:  A processor used to convert continuous varying (analog) signals into a set of digital values.

Angle of view:  The area of a scene that the lens can capture, expressed as an angle, and reproduced as a sharp image.  It is used interchangeable with field of view. Lenses with shorter focal length have a wider angle of view than lenses with a longer focal length. The difference between the angle of view and the angle of coverage, is the angle range that a lens can image. Theimage circleproduced by a lens is generally large enough to cover the film or sensor completely, including somevinettingat the edge. If the angle of coverage doesn’t fill the sensor, the image circle will be visible and the angle of view will be limited to the angle of coverage.

Anti-aliasing: Using software to soften and blend rough edges (called aliased).

Aperture:  Measured in f-stop numbers, it is the variable opening in a lens that controls the amount of light that’s allowed to reach the image sensor, thereby affecting exposure. A small f-stop number (i.e., f/2.8) represents a wide lens opening, which allows more light to pass through the lens to the sensor and is beneficial in low-light conditions. A larger f-stop number (i.e., f/8.0) narrows the lens opening and allows less light to reach the sensor. A small f-stop number (i.e., f/2.8) provides a small (narrow) depth of field, while the larger f-stop number (i.e., f/8.0)  increases the depth of field.  

APO (Apochromatic):  Lenses that use internal elements to correct chromatic aberrations, which will bring all colors of the visible spectrum to a common point of focus, creating a sharp image and minimizing chromatic aberrations, are referred to as APO lenses. These lenses are generally more expensive than non-APO lenses.

Aperture Priority: A shooting mode on a camera. Aperture priority lets the photographer define the camera’s aperture or f-stop. The camera will then calculate a corresponding shutter speed based on its light metering.

Apochromatic Lens: A lens that incorporates an ultra-low dispersion glass element used to control color fringing or chromatic aberrations. These lenses carry a special designation:  Canon and Tamron (LD), Nikon (ED), Sigma (ELD) and Tokina (SD).

Archival storage: Using external, non-magnetic media such as CDs forthe long-term storage of information.

Artifact:  Anything that occurs in a photograph from technology and not from the scene itself. This can be unwanted noise found in an image caused by JPEG compression or the limitations in the recording process.

Aspect Ratio:  The aspect ratio of a camera is the ratio of the length of the sides of the image produced.  A traditional 35mm film frame is approximately 36mm wide by 24mm high.  This is an aspect ratio of 36:24, which is expressed as a 3:2 ratio.  Most non D-SLR digital cameras have an aspect ratio of 4:3 while most D-SLR’s have the 3:2 ratio.  16:9 (generally named as “Sixteen-Nine”, “Sixteen-by-Nine” and “Sixteen-to-Nine”) is the international standard format of High Definition. Typically video monitors have a 4:3 aspect ratio. Many new digital cameras are offering a variable aspect ratio feature, with selections such as: 4:3, 16:9, 3:2, 1:1 and 4:5.

Aspheric Lens: Lens elements that are not sphere-shaped. Instead of having an arc-shaped concave or convex front or back surface they are not sphere-shaped, they have less curvature at the edges than at the center. They are designed to spread light more evenly to the corners of the frame.The asphere’s more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens. A single aspheric lens can often replace a much more complex multi-lens system. The resulting device is smaller and lighter, and sometimes cheaper than the multi-lens design. These lenses elements are usually used to control aberrations or distortions in ultra-wide angle and large-aperture lenses.

 In photography, a lens assembly that includes an aspheric element is often called an aspherical lens.

Autofocus: The ability of the camera to focus its lens automatically. There are two types of autofocus; Active and Passive and Continuous.

Back Light:  Light produced when the sun or light source is in front of the camera. This type of lighting produces theatrical results for subjects with a distinctive forms or translucent properties.

Back Button Focus: Once back button focusing is set up, you can depress the designated button once to focus on exactly what you want. This locks the focus exactly where you want and you can recompose and the focus will  stay exactly where you originally wanted it. If the subject isn’t moving, you can continue to shoot without having to focus again. If the subject is moving Just hold in the back focus button and the camera will continue focusing and tracking the subject while you can continue to shot.

Back-illuminated sensor:  (Backside Illumination (BSI or BI) sensor is a digital image sensor arranging the imaging elements to increase the amount of light captured and improve low-light performance. A traditional, front-illuminated digital camera sensor consists of a matrix constructed in a fashion similar to the human eye, with a lens in front, wiring in the middle, and the photo detector at the back. In this arrangement the lens and wiring reflect some of the light and the photo detector only receives the remainder incoming light, thus reducing the signal that is captured. A back-illuminated sensor contains the same elements, but orients the wiring behind the photo detector so that light can strike the photocathode layer without passing through the wiring layer. This change can improve the photo detector performance about 60% to over 90%.

Banding:  Loss of image quality caused by expanding the tonal range of an image during post processing.  Primarily occurs when expanding underexposed images.  Occurs most often with JPEG images as they have less tonal information, but can also occur with RAW images. Possible solutions include the introduction of dithering in the post processing or increasing the number of bits per color channel.

Barrel Distortion:  The tendency of a lens to bow straight lines outward.

Bicubic:  Image interpolation that calculates the value of a new pixel based on 16 pixels from the nearest 4×4 pixel grid in the original image.

Bicubic Sharping: Sharping based on Bicubic Interpolation.

Bicubic Smoothing:  Smoothing based on Bicubic Interpolation

Bilinear:  Image interpolation that calculates the value of a new pixel based on the average of the nearest four pixels in the original image

Bit:  The smallest data unit of binary computing, being either 1 or 0. A Bit is the smallest unit of data that a computer uses. It can be used to represent two states of information, such as Yes or No. Eight bits make up one byte.

Bit-Depth:  Also referred to as color depth, bit-depth determines the maximum number of shades or intensities of colors that can be represented at a time. Camera sensors typically have 12-bits-per-channel color (red, green and blue) for a 36-bit image (which JPEG compression reduces to 8 bits per channel). Although more bit-depth is preferable, there are diminishing returns beyond 8 bits per channel (8 bits x 3 channels = 24 bit-depth). Image file sizes increase dramatically, and not all devices (printers, monitors) will benefit from higher bit-depth. Additionally, some image editing may have limited—or no—capabilities of working beyond 8 bits.

Blooming: Whenthe electrons in the digital camera sensor’s pixels are exposed to large numbers of protons of light, they can overflow and contaminate adjacent pixel wells, resulting in flared halos around bright areas in the image. This compromises contrast and apparent sharpness in picture areas where darkness and highlights about each other. To avoid blooming, think twice about including light sources in your frame.

Bokeh:  The blur or aesthetic qualities of the out-of-focus parts of an image, and whether the out-of-focus points of light, circles of confusion, are distracting fuzzy disc, or if they smoothly fade into the background and are pleasing to the eye.  Bokeh can vary from lens to lens or within a given lens at different aperture settings.

Buffer: Helps speed up the photography process by reducing the time required between shots and allows for longer burst in the continuous shooting mode. The buffer provides a temporarily holds place for data until the camera can writes the image to the memory card and the size of the buffer determines the number of images that can be taken simultaneously. All D-SLR cameras contain a buffer or several buffers. The location of the buffer in the camera’s work flow is extremely crucial in determining how fast images can be processed. If the buffer is located after the image processor, you can reduce image size and quality to take pictures faster. If it’s before the image processor there is nothing you can do to increase the frames per second speed. Some cameras offer “smart buffering,” which combines the before and after process of buffering in one buffer. This allows data to flow freely within the camera and avoids bottle necking from the buffer to the memory card, and is the most efficient for shooting in bursts.

Burst Rate:  Is the number of consecutive images that a camera can take, before it slows down or stops shooting. Burst Rate are stated as the number of JPEG and or RAW images that can be captured in a continuous burst, without the camera slowing down or stopping.

Byte: A packet of information that consists of8 bits. Computers typically have 8-bit data pathways, making bytes the most efficient means oftransmitting data or instructions. A Byte can represent 256 states of information, for example, numbers or a combination of numbers and letters. 1 Byte could be equal to one character. 10 Bytes could be equal to a word. 100 Bytes would equal an average sentence.

CCD (Charge-Coupled Device): A common type ofimage sensor used in digital cameras. The CCD actually only sees black & white images and must have red, green, and blue filters built into it in order to capture color. CCD sensors use more power and are slower than CMOS type sensors

CD-R, CD-RW: These are compact disk formats for storing data, and work very well for photographs. The “r” in CD- R stands forrecordable, and this disk can be recorded onto once. The “rw” in CD- RW stands for rewritable, and this disk can be recorded, erased, and then reused by recording onto it again. 

CD-ROM (CD-Read-Only Memory): A compact disk that contains information that can only be read not updated or recorded over.

Chip: Common term for a computer-integrated circuit, a key part of a computer.

Chroma: The existence of color in an image.

CIPA:  Camera and Imaging Products Association has set standard on how the number of pixels in a camera should be counted.  It does all kind of camera testing.

Chromatic Aberration: Color fringing caused when a lens does not focus all colors at the same focal point or on the same focal plane.  Because lenses bend light, an act as prisms, they break light into component colors of the spectrum causing color fringing and softness, most noticeable at the edge of the frame. While a chromatic aberration can be purple, the term “purple fringing”—a purple/blue fringe along high-contrast edges—refers to a separate phenomenon that is generally caused by characteristics of the sensor. There are two types of chromatic aberration, axial (longitudinal), and transverse (lateral). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens. Transverse aberration occurs when different wavelengths are focused at different positions in the focal plane.

Circular Polarizer: Digital cameras require the use of a circular polarizer, as opposed to a linier polarizer filter, in order for the auto-focus to operate properly.  A circular polarizer filter is essentially a linear polarizer with another optical element added.  It mixes the light so it isn’t polarized, but it does it after the light has already passed through the polarizing element and gotten rid of the glare, reflections and other artifacts that you use a polarizing filter for.

CMOS: (Complementary Metal Oxide Semi-Conductor) This image sensor is used in several digital cameras. CMOS sensors use less energy and are much faster operating than CCD sensors. Since these sensors are manufactured on a far less expensive platform and are easier to produce they are more cost-effect.

CMYK (Cyan, Magenta, Yellow, Black): These are the subtractive primary colors. They’re used in so called four-color printing processes used in booklets and magazines because they produce the most photo-realistic look for publications. CMYK is by definition a device-dependent color space. That means you need a specific profile for the specific output conditions (printer, ink, and paper combination).

Color Gamut:  In color reproduction, including photography the gamut, or color gamut is a certain complete subset of colors. The concept is easy: Imagine a crayon box in several different sizes, ranging from 10 different crayons to a large box with 16.7 million different color crayons. A 24-bit color image can have up to 16.7 million different shades of color.

Color Management: In digital imaging systems, color management is the controlled conversion between the color representations of various devices, such as image scanners, digital cameras, monitors, TV screens, printers, computers, offset presses, and corresponding media.  The primary goal of color management is to obtain a good match across color devices. Color management take into account the differences between different device color spaces (gamuts) as it makes corrections.

Color Profile: In general color profiles are used to correct colors of each of the devices used in developing and printing an image. Each devise will have its own color profile and a color management system will use these profiles to give the correct color at the end of the process.

Color Space:  Every device that produces, measures, or captures color has its own way of reproducing all the colors in the visible spectrum, which is known as its color space. The most common color spaces in digital photography are Adobe RGB and (Hewlett-Packard and Microsoft) sRGB. The former has a broader color gamut (range of colors/tones), while sRGB has a smaller color gamut. There is a third color space, ProPhoto RGB, that was developed by Kodak, that’s available in post processing software that has an even broader color gamut.

Color Temperature: Different lights shine at different temperatures, measured in degrees Kelvin (K). Each temperature has a different color quality.

Coma: Comet-shaped blobs in an image caused when light rays fail to come to the same focus point.

CompactFlash®: The most widely used reusable removable photographic image storage device in use.

Compression:  The process of encoding files through an algorithm, which decreases the size for storage or transmission over the Internet. There are two types of compression: lossy and lossless. Lossy compression (JPEG is an example) can result in visible degradation of image quality, especially when saving the same image as a JPEG multiple times, because some image data is lost in each compression process. Lossless compression (like LZW compression) preserves all image data.

Continuous Focus:  The camera continually focuses on a subject.  This works best on moving subjects.

Continuous Tone (CT): The appearance of smooth color or black & white gradations, as in a photograph.

Copyright: A legal term that denotes rights of owner-ship and, thus, control over usage of written or other creative material. Unless otherwise noted, assume all images are copyrighted and can’t be used by anyone without permission of the photographer.

CPU (Central Processing Unit): The “brain” of a computer system.

Color Temperature Enhancement (CTE) white balance:CTE is the exact opposite of AWB. It stands for Color Temperature Enhancement, and emphasizes the actual color temperture: if you are under Tungsten, it will shift the image toward warmer (red) tones. In shade, it will go colder (blue) yet Curvature Of Field: Field curvature is an optical aberration in which the focus position changes from the center to the edge of the field of view. The curvature of the image field is a lens aberration that causes a flat object surface to be imaged onto a curved surface rather than a plane.

Dark Frame Noise Reduction (Long Exposure Noise Reduction option):

Amethod used or offered to reduce noise when long exposures are used to capture an image. In effect, the camera takes an “extra” picture, but without actually exposing the sensor to light. The values captured during this dark frame exposure are used to subtract noise from the actual capture. Utilizing this option effectively doubles your exposure time for each image — one exposure for the picture and another exposure for noise. This in-camera noise reduction can have a significant impact in terms of reducing the noise levels in the original capture.

Data compression: the use of algorithms to reduce the amount of data needed to reconstruct a file.

 

Depth of Field: The depth of field is the zone of apparent sharpness in a photo in front of and beyond the focused subject. A measure of the area of an image that is in focus. The depth of field is generally proportioned 1/3 in front of the camera focus point and 2/3 to the rear of the camera focus point.

Diffraction:  The tendency of light to change intensity and direction when going through a small opening like and aperture.  Diffraction causes softness in an image, and diffraction limits the f-stops that a compact digital camera can have (not over f/8, and f/8 equals f/32). The depth of field at a particular f-stop can produce is inversely proportional to the size of the sensor.  

Diffraction Limited Aperture (DLA) is the point where on a specific camera, the sharpness begins to decrease with an increase in f-stop number (smaller aperture size). Diffraction is the point where light is bent when it passes through the lens opening or aperture. As the aperture size becomes smaller, the bending becomes more pronounced and the result is that the image becomes softer, or less sharp. The sharpness of an image a camera produces is related to the pixel density of the digital sensor. The greater the pixel density, theoretically the sharper the image will be. A higher megapixel camera can create a sharper image than a lower megapixel one can. DLA is the point where it is the diffraction of the lens which is limiting the sharpness and not the pixel density.

Digital zoom: An over-hyped feature of digital cameras that takes a portion of the sensor’s active area and digitally enlarges it to achieve the appearance, though not the quality, of a telephoto zoom lens. Digital zoom should only be used as a last resource.

Dithering: Using multiple ink dots to create each pixel. Printers use dithering to create the appearance of more colors than they actually have. However, this trick comes at the expense of resolution, since dithering requires each pixel to be created from an even smaller pattern of dots. As a result, images will require more DPI than PPI in order to depict the same level of detail.

DL:  Dual layer recordable DVD

Dot Gain: Refers to the spreading of ink on paper when printing and results in a loss of perceived sharpness.

Dot pitch: Typically used to evaluate a monitor’s sharpness as a measurement of the distance between dots; A smaller number indicates a sharper monitor.

DPI (Dots per Inch): (Not a camera function.): measures the number of drops of ink (per inch) a printer lays down on a piece of paper. Generally, selecting higher dpi settings will result in a smoother transition from color to color with more visible detail.

Drum scanner: A specialized scanner commonly used by the printing industry for very high-quality scans. It’s very expensive and has a steep learning curve.

D-SLR:  Modern D-SLRs are digital cameras based on the same mechanical and optical features of film SLR (single lens reflex) cameras, minus the film. SLR cameras channel light through a lens and a mirror to a viewfinder that gives an exact preview of the shot to be captured.

DVD-R: A write-once format.  Good for archiving data and recording data and images. Compatible with about 85 percent of all drives.  This format is becoming the most common used.

DVD+R: A write once format. Good for archiving data and recording data and images.  Compatible with about 85 percent of all drives.

DVD+RW: Alliance’s DVD+RW drive offers a 1000 times-rewriteable format.  Excellent for backing up. Compatible with about 65 percent of all drives.

DVD-RW: Forum’s DVD-RW drive offers a 1000 times-rewriteable format.  Suitable for backing up. In most burners it writes a half the speed of DVD+RW. Compatible with about 65 percent of all drives.

DVD-RAM: Forum’s DVD-RAM drive offers a 100,000 times-rewriteable format.  Suitable for backing up, much slower than DVD-RW and DVD+RW.  Compatible with few drivers.

DVD9:  Dual layer recordable DVD

Dynamic Range: The difference between the highest and the lowest values in an image, as in the brightest highlights and the darkest shadows. Also known as ‘Brightness Range’.  The range of tones, from lightest to darkest, that can be recorded, displayed or reproduced by devices such as image sensors, scanners, printers and monitors.

ED, LD and UD Glass:  (Low-Dispersion, Extra-Low-Dispersion and Ultra-Low-Dispersion Glass) All these terms refer to a glass type used in lenses. These formulated glasses correct the path of light rays as they pass through the lens, making all colors in the color spectrum focus at the same point. Lenses constructed with these types of glass eliminate or lessen the occurrence of aberrations and some types of artifacts.

EEPROM: Electrically erasable programmable read-only memory, also called Flash Memory. Digital camera memory cards consist of several flash memory chips and a controller.  The controller’s on-board software manages the writing and erasing of data and determines the memory card speed.

Effective Pixels:  Pixels on the sensor actually used to capture an image. Often, not all the pixels on a sensor can be used to capture the image, but are used for other functions.

Exposure:  A controlled amount of light projected to an image sensor or frame of film.

EXIF: Exchangeable Image File standard was established in 1995 as a way to accommodate a range of image file formats and allow photos made with one kind of camera to be played and viewed on another, different device.  In addition to image data, the next most important feature of EXIF is its inclusion of thumbnails. Adobe Photoshop Elements make use of EXIF data to display thumbnails in its image management mode.  Opanda PowerExifis a Windows-based software tool that can be used to edit the EXIF data in image files. Here is a list (in alphabetical order) of camera companies that officially support EXIF Print: Canon, Casio, Fujifilm, Kodak,Nikon, Olympus, Panasonic, Pentax,Ricoh, Sanyo and Sony.

EXIF 2.2: (aka EXIF Print) records all of the information set by the photographer. The printer reads all of this photographic information to ensure optimal printing including capture parameters and scene information in the form of EXIF tags.

EVF: Electronic ViewFinder An eyepiece viewfinder that uses a tiny LCD screen instead of normal optics, and that looks through the lens.

EVIL:  See  ILDC (Interchangeable Lens Digital Camera)

E-TTL: Evaluative through the lens flash metering. E-TTL fires a low-power preflash of known brightness from the main bulb to determine correct flash exposure. It measures the reflectance of the scene with the preflash, then calculates proper flash output to achieve a midtoned subject, based on that data. The E-TTL preflash occurs immediately before the shutter opens.

E-TTL II: Evaluative through the lens flash metering introduced by Canon in 2004 is an improved version of regular E-TTL. E-TTL II examines all evaluative metering zones both before and after the E-TTL preflash goes off. Those areas with relatively small changes in brightness are then weighted for flash metering. This is done to avoid the common E-TTL problem of highly reflective materials causing secular highlights in a flash-illuminated image and throwing off the flash metering. Normally E-TTL II uses evaluative algorithms for its flash metering, but this system can also receive distance information from the lens in used.

Exposure: The combination of aperture, shutter speed and ISO settings that determine how much light will be recorded at the focal plane.

Expose to the right:  Is a process to achieve the best detail with the minimum amount of noise (all other things being equal) by exposing an image as bright as possible without blowing out highlight detail. This has to do with the logarithmic nature of how the information is gathered by the image sensor, which translates into most of the detail in the image being represented by the brightest pixel values. If you think of noise as the opposite of information, a brighter exposure translates into more light, and thus more information and less noise. Extension Tubes:  Are hollow spacers that mount between the camera body and the lens, extending the distance from the lens to the camera sensor, causing the lens to focus much closer than normal. The longer the extension tube(s), the closer the attached camera lens can focus

Exif (Exchangeable Image File Format): EXIF information is generated by the digital camera and contains information about various camera settings. Data such as when a picture was taken (provided the camera’s settings are accurate), aperture, shutter speed, lens mm setting, camera model and more is stored with JPG and TIFF images. There isn’t a standard format for RAW files; however, manufacturers have created their own formats.

Fast Redraw: This is the term used to state the refresh rate of EVF (Electronic View Finder) screens. It’s the frequency with which the screen presents the viewer with a new image.

FAT: File Allocation Table

Feathering: Softening the edges of elements in an image by blending the effect across the edge.

FFT-CCD: is a Progressive scan sensor producing higher image quality than is found with many equal or higher megapixel CCD models. Unique to the Olympus SLR’s, the FFT-CCD offers many advantages over traditional Interline CCDs found in many competing digital SLRs. File Allocation Table (FAT):  The primary file system used on camera media storage cards. It is reset to open all available space for new images when the media storage card is formatted.

File Format: A method for arranging the data that makes up an image for storage on a disk or other media. The four most common file formats used are:

JPG – Joint Photographic Experts Group, compressed format

TIF – Tagged Image File Format, uncompressed and compressed formats

PNG – Portable Network Graphics, standardized compression

GIF – Graphics Interchange Format, compressed

RAW – Contains minimally processed data direct from the camera’s image sensor. Raw files are so named because they are not processed in the camera. RAW file format uses a lossless compression and provide great latitude in post-processing

DNG – (Digital Negative) Is an open lossless RAW format offered by Adobe in 2004 as a universal RAW format.

Compression comes in two forms: lossless and lossy. Lossless compression loses none of the image information during compression and decompression. Lossy compression as its name says removes some of the original photographic detail, and can reduce the size of image files to a far greater extent than lossless compression. JPG is a lossy technique that is designed to compress color and grayscale continuous-tone images. The information discarded at lower levels of JPG compression is designed to be information that the human eye cannot detect.

 

Film Scanner: Scanner dedicated to capturing image files from slides and negatives.

FireWire: A very fast connection (i.e., lots of data transmitted quickly) for linking peripherals to the computer.

Flare: Lens flare is created when non-image forming light enters the lens and subsequently hits the camera’s digital sensor. This often appears as a characteristic polygonal shape, with sides which depend on the shape of the lens diaphragm. It can lower the overall contrast of a photograph significantly and is often an undesired artifact, however some types of flare may actually enhance the artistic meaning of a photo. Understanding lens flare can help you use it — or avoid it — in a way which best suits how you wish to portray the final image. The use of a proper Lens hoods can reduce this effect.

Flat Picture Control: A Nikon Picture Control feature that produces flat colors that some videographers appreciate as it offers more control over color during post processing.

Flash Memory:  EEPROM: Electrically erasable programmable read-only memory, also called Flash Memory. Digital camera memory cards consist of several flash memory chips and a controller.  The controller’s on-board software manages the writing and erasing of data and determines the memory card speed.

Flatbed scanner: Scanner designed to capture images from page-sized or smaller “flat art,” including photographs and artwork.

Flexboard: Microprocessor found in autofocus lenses. Some third-party lenses may require a flexboard up-date to be used on newer cameras.

Floating elements: Elements or group in a lens that moves independently of other elements or groups during focusing. Used to minimize aberrations at the full range of focusing distances.

Focal Length: The degree to which light from a scene is magnified by a lens measured in (mm) millimeters. When parallel rays of light strike a lens focused at infinity, they converge to a point called the focal point. The focal length of the lens is then defined as the distance from the middle of the lens to its focal point.

Focal Plane: The point onto which a camera focuses an image. In a digital camera the CCD sits on the focal plane.

Focal point:  The point where all light rays converge.

Focus-priority:  Used on most D-SLRs in their single-shot auto focus mode to lock the shutter until the camera has confirmed focus.

Focus Stacking: A process that allows you to capture multiple images with a relatively narrow depth of field, each at a different focus point, and then blend those exposures to create a final image that has greater depth of field than would have otherwise been possible. There are two basic steps involved. The first is capturing the images, and the second is stacking the images using post processing software.

FPS (Frames Per Second):  Is the measurement for how many unique consecutive images a camera can capture in a second. Low-end digital  cameras typically have a frame rate of 2 to 4 frames per second, while high-end digital cameras might have frame rates as high as 12 to 15 frames per second.

Frame rate: also known as frame frequency and frames per second (FPS), is the frequency (rate) at which a camera can produces unique consecutive images called frames. The term applies equally well to still photography and video. In video there are three main frame rate that are standard in video: 24fps is the standard for movies (cinematic look) and is the minimum necessary for the “persistence of vision”, which makes movies look continuous rather than jerky. 30fps is the standard video frame rate, and produces a smoother look. 60fps allows you to playback at 30fps for smooth half-speed slow motion. Front Light:  Light produced when the sun or light source is behind the camera. This type of lighting is ideal for showing saturated colors, fine details or stopping action.

F-stop: Sometimes synonymous with stop, more specifically a measure of the size of the aperture on a camera.

Gamut: The term used to describe the range of color values that fit in a color space.

Geometric distortion: Lens flaws that cause straight lines to render non-straight, such as barrel distortion and pincushion.

GIF (Graphics Interchange Format): A standard file format most commonly used for graphics on the World Wide Web. GIF reduces both resolution and color data, making it less effective for photography.

Gigabyte (GB): A measurement of digital data approximately one billion bytes (1000 megabytes).

Gray Card:  A calibrated neutral gray-hued card that is used as a target by photographers to help determine exposure and/or white Balance. Standard Gray Cards reflect 18 percent of the light falling on them, which is approximately the same as the “average” scene composed to equal parts of shadows, midtones and highlights. There are also special gray cards (plus or minus 18% reflectivity) that are designed to warm or cool the white balance. By photographing a gray card a photographer can use that image to set the exposure and calibrate the white balance point.

Gray Market: Products that are not imported by the official U.S. importer, but come into the country through other channels.  Gray market items are perfectly legal but may carry different model designations and do not carry a U.S. warranty or are eligible for discounts, rebates or other special offers from the U.S. importer. These items can be priced 10 to 20 percent below U.S. market or street value.

Gray Scale (Or Grayscale): A black & white image composed of a range of gray levels from black to white.

Guide Number (GN): A flash unit Guide Number is equal to 10 times the number value of the f-stop required to yield the correct exposure at a distance of 10 meters at a given ISO setting. (A GN of 45 would require an aperture of f/4.5 at 10 meters while a GN of 28 would require an aperture of f/2.8 at 10 meters.) The larger the GN the more powerful the flash.

Hard Light:  Light generated by a clear sky that will produce sharp dense shadows.

HDMI (High-Definition Multimedia Interface): Is a compact audio/video interface for transferring uncompressed video data and compressed or uncompressed digital audio data from a HDMI-compliant source device, such as a digital video camera, to a compatible device. Several versions of HDMI have been developed and deployed since initial release of the technology but all use the same cable and connector.

High refractive index glass: The higher the  refractive index the more a glass element can bend light. Used to reduce aberration, make lenses lighter and shorten barrel length.

Histogram:  A feature that reflects the tonal value of a photographed image. It offers the ability to compare where the tones in an image will reside in a digital form, compared to where they are in real life. The histogram offers the best means to determine if the camera exposure is correct and has the maximum dynamic range.  The histogram is a graphical representation of the pixels exposed in your image. The left side of the graph represents the blacks or shadows, the right side represents the highlights or bright areas, and the middle section is mid-tones (middle or 18% grey). How high the peaks reach represent the number of pixels in that particular tone. Each tone from 0-255 (o being black and 255 being white) is one pixel wide on the graph, so imagine the histogram as a bar graph all squished together with no spaces between each bar.

Hue: This is what we usually mean when we ask “what color is that?” The property of color that we are actually asking about is “hue”. For example, when we talk about colors that are red, yellow, green, and blue, we are talking about hue. Different hues are caused by different wavelengths of light.

Hyperfocal Distance:  is a distance beyond which all objects can be brought into an “acceptable” focus. The hyperfocal distance is the distance beyond which all objects are acceptably sharp, for a lens focused at infinity.

I:  See Interlacing (i)

ILDC (Interchangeable Lens Digital Camera): (also EVIL)

A new class of camera that uses a larger (DSLR-sized) 4:3 or APS-C sensor in a compact camera body with an electronic viewfinder linked to the camera’s sensor. This eliminates the mirror box and allows for a much smaller camera body with more compact lenses than with a DSLR. Essentially, this is a Digicam like the Sony R1, Olympus C-8080 or Minolta A2 with the ability to use an assortment of lenses. The new Micro Four-Thirds standard is based on this concept.

Image Circle: The size of the circular image cast by the lens on the camera sensor. Full size sensors

(24mm x 36mm) require a larger image circle than a APS-C (15mm x 22mm) sensor.

Image Stabilization (IS): Optical image stabilization utilizes gyroscopic sensors within the lens to detect and compensate for motion or “camera shake.” Alternatively, some cameras achieve IS by moving the image sensor when camera movement is detected.

Inkjet: A low-priced digital printing technology where characters or images are formed by tiny ‘droplets’ being shot at the paper.

Integrated Circuit: A highly engineered package of many circuits working together, usually in a computer chip; one building block of a computer.

Interlacing (i): A video term for the practice of displaying a single frame of video as two ‘half’ frames. Each frame is split into alternating lines, so that the first frame displays lines 1,3,5 and so on, while the second frame of the pair displays lines 2,4,6 and so on. The other choice is progressive. Note: NTSC standards are 60i for interlaced and 24p for progressive. The PAL equivalents are 50i and 25p.

Internal Focusing: An internal focusing (IF) lens focuses by shifting selected lens elements with in and independent of the lens outer barrel. The lenses barrel does not change length when the lens is focused. IF lenses are generally smaller and closer focusing than non-IF lenses and require less power since the focus motor does not have to move the lens barrel. IF lenses are well suited where lens-mounted accessories are used.

Interpolation: (Resampling)  Away of increasing the apparent resolution of an image by “filling in” the gaps between existing pixels. Artificially increasing or decreasing the number of pixels in an image through the use of an algorithm.

IPTC:  International Press Telecommunications Council, Originally designed to allow press photographers to provide information concerning images they sent back to the home office, IPTC fields can be used to store supplemental information about an image. IPTC information differs from EXIF information in that EXIF information is generated by the digital camera and contains information about various camera settings. IPTC fields can be used to “annotate” images with a great deal of information.

Iris: A mechanism that can expand and contract to create circular apertures to control the amount of light passing through a lens.

ISO: (Light Sensitivity) The ISO rating is an indication of light sensitivity in digital photography. Camera sensitivity is increased by amplifying sensor output, which also increases noise output, much like the increased grain in film with higher light sensitivity. Higher ISO settings are generally used in darker situations to allow faster shutter speeds at the cost of higher noise.

JABOD: A collection of dissimilar physical computer hard drives that are configured to read as a single virtual volume.

JCII: Japan Camera Inspection Institute formed in 1954 to insure the quality of cameras being shipped out of Japan. Cameras and lenses that passed this inspection received a gold oval sticker.  This inspection service was discontinued in the 1990’s as it was felt that it was no longer need as the Japanes quality was some of the highest in the world.

JMDC: Japan Machine Design Center established to eliminate any Japanese camera companies from copying from each other to insure originality.  Cameras and lenses that passed this inspection received a gold oval sticker.

JPEG (Joint Photographic ExpertsGroup): A common algorithm for the compression of image files. JPEG compression can vary from nearly lossless to highly lossy. All digital cameras are capable of capturing images in JPEG format, and because JPEG is a standard, JPEG image files can be read by all image-processing software. The JPEG algorithm carefully looks for redundant data in the image (such as large areas of a single color) and removes it, while retaining instructions of how to reconstruct the file when opened in a computer.

JPEG Artifacts: Image defects due to file size compression. These defects appear as tiny rectangles or squarish grain.

JPEG 2000 (released in 2000):  is “better” than JPEG in that it includes an option for lossless compression, and with lossy compression it achieves smaller file sizes than JPEG (on the order of 20% smaller). JPEG 2000 also supports bit depths higher than the 8-bit per channel limitation of JPEG. However, there have been some legal issues surrounding JPEG 2000 that have resulted in somewhat limited support for the format. While support for JPEG 2000 has increased over the years, with a variety of imaging applications allowing you to open and in most cases write image files in the JPEG 2000, that hasn’t led to universal support. For example, many web browsers still don’t support the JPEG 2000 file format.

Kilobyte (KB): A Kilobyte is approximately 1,000 Bytes, actually 1,024 Bytes depending on which definition is used.

Lateral Transverse:  A lens chromatic aberration in which the colors are shifted to one side.

LCD (Liquid Crystal Display): Liquid Crystal Displays are typically a 1.5- to 2.5-inch screen comprised of liquid crystals that are stimulated by electric current to act as a viewfinder and/or preview screen of your frame. The LCD on most, but not all, digital SLRs is only used for viewing already-captured images and navigating menus.

LD, ED, ELD, SD, SLD and UD Glass:  (Low-Dispersion, Extra-Low-Dispersion, Extraordinary Low-Dispersion, Super Low-Dispersion, Special Low-Dispersion and Ultra-Low-Dispersion Glass) All these terms refer to a glass type used in lenses. These formulated glasses correct the path of light rays as they pass through the lens, making all colors in the color spectrum focus at the same point. Lenses constructed with these types of glass eliminate or lessen the occurrence of aberrations and some types of artifacts.

NOTE:  LD designation is used by Tamron; ED designation is used by Nikon, Olympus, Pentax and Sony; ELD glass was developed by Hoya and is used in some Sigma lenses. It has lower dispersion characteristics than SLD which was used by Sigma. SD glass is a special glass used by Tokina.  UD designates a special glass developed by Canon that nearly matches the properties of fluorite, which has abnormally low refraction and dispersion characteristics, which optical glass can’t match.  The effect of two UD-glass elements produces almost the same effect as one fluorite element.

Light falloff: Darkening of an image’s corners.

Linearized

RAW:  Most digital camera image sensors don’t capture full color data, but instead recording only one value (red, green, or blue) for each pixel, and the camera software calculating the “other” values during the RAW conversion process. Raw file format is raw data directly from the digital camera sensor, meaning that a raw file is only composed of either a red, green, or blue value at each pixel location. Linearized RAW data  is a RAW (or DNG) output that has already had the “other” values calculated. Certain camera models from Leica, Panasonic, and Olympus, as well as images captured in the sRAW or mRAW format produce linearize RAW data. Capturing just raw data allows the photographer to control the process with special post processing  software that offers control over white balance, color saturation, exposure (to a degree), bit depth, color space, noise reduction, and even lens correction and other “parameters”.

L-Ion (Lithium Ion):  A type of rechargeable battery.

Longitudinal axial:  A lens chromatic aberration in which all the colors do not focus on the same plane.

Lossless compression: Any form of file compression technique where no loss of image data occurs.

Lossy compression: Any form of file compression technique where some loss of image data occurs.

low self-discharge nickel-metal hydride battery (LSD NiMH): were introduced in November 2005. By using improved separator and improved positive electrode they reduces self-discharge, therefore, lengthens shelf life compared to normal NiMH batteries. They will retain 70 to 85% of their capacity after one year when stored at 20 °C (68 °F), while standard NiMH batteries may lose half their charge in this time period. Low self-discharge cells are marketed as “ready-to-use” or “pre-charged” rechargeables.

Macro: A special type of lens or lens setting primarily used for close-up photography, macro refers to a one-to-one or higher magnification of a subject provided by optics (i.e., a macro lens). The focal length of a macro lens determines how close the lens must be to a subject to attain a one-to-one image capture.

Magnetic media: Data storage media that uses magnetized particles imbedded in the media substrate to write and read data.

Magnification Power: The magnification power of a lens.  A 2X macro lens will reproduce an image on the camera sensor that is twice a big as the original subject.

Manual Mode: A shooting mode on a camera that allows the photographer to set both the aperture and shutter speed, giving full control over the camera’s exposure.

Megabyte (MB): One million bytes of memory.

Megapixel: (one million pixels) the number of photodiodes (also known as photosites or pixels) on an image sensor is expressed in megapixels, which in turn is the resolution of the device (a camera, scanner, etc.). Most sensors have one photodiode for each pixel in an image.

Memory Card (Media Card): A memory card is a digital camera storage medium. Although these cards are available in a number of different formats—SD (Secure Digital), CF (CompactFlash), Memory Stick (with several variations), xD-Picture Card—each camera can accommodate only one (sometimes two) of those formats. All cards come in different capacities, measured in megabytes (i.e., 256 MB) or gigabytes (i.e., 2 GB). Some cards are also designed to facilitate high performance, decreasing the time it takes for the camera to write the image data to the card. Card capacities continue to increase in all formats, although not all cameras may be able to use these large-capacity cards. It’s also important to note that, with the exception of MicroDrives (CompactFlash Type II), which have moveable parts like a hard drive, all other media cards are solid-state or flash memory cards and are, therefore, fairly nonvolatile.

Memory Stick®: A type of reusable, removable image storage (Memory Card) developed by Sony. 

Metadata: Data about a data.  Information stored in digital image files with camera information, such as date and time, shutter speed, aperture, lens setting etc.

Metering: The process of defining the light levels in a scene and providing a measurement for a proper exposure value. Popular metering modes include evaluative, pattern or matrix metering (an average of independent areas of the image), center-weighted metering (an average of the frame, with emphasis, 60 to 80 percent, on the center of the image), partial metering (generally 10 to 15 percent of the image) and spot metering (generally 1 to 5 percent of the image). Most digital cameras offer at least two—but generally three—of these metering options.

MicroDrive®: A tiny hard drive that fits in a type II compactFlash® slot on a camera.

Micromotor:  Non ring-type motor used in some lens for auto-focus. These are al gear driven drives that are somewhat slower and nosier that ring-type AF lens

Mirror Slap: The phenomenon common with SLR Cameras created when the reflex mirror swings out of the light path prior to exposure causing a jarring motion (vibration) of the camera. To eliminate mirror slap use the camera’s mirror lockup feature which swings the mirror out of the way and locks it in the open position before the shutter opens to exposure the image.

NiMH (Nickel Metal Hydride): A type of rechargeable battery.

Monochromic:  Having or appearing to have only one color. Term used to describe black and white.

MOS Sensor:   (Metal Oxide Semiconductor) sensors developed by AppliedSensor and being used by Olympus and Panasonic.  The live MOS sensor is a new generation sensor that offers the high image quality of a CCD sensor with the low power consumption of a CMOS sensor, making it possible to display Live View images on the cameras LCD for extended periods of time. 

Called the Live MOS Sensor, it offers high processing speed, high sensitivity, low noise, and low power consumption, as well as image quality that approach that of FFT-CCD sensors. It is a new-generation NMOS sensor that was spawned by a high level of synergy between NMOS technology and the signal enhancement and other digital technologies in which Olympus has many years of experience.

MTBF:  Mean Time Between Failures, how long you would have to run a device before expecting it to fail.

MTF Data:  Modular Transfer Function, is the most widely used scientific method of describing lens performance. As the name suggests, a measure of the transfer of modulation (or contrast) from the subject to the image. In other words, it measures how faithfully the lens reproduces (or transfers) detail from the object to the image produced by the lens. This very accurate tests yells a graph that indicates a lens contrast and sharpness both radically and tangential,  with full aperture open an at f/8.  The higher the reading on the graph the better the lens. A professional lens should have a reading over 95% at 5 lines/mm in both directions and over 50% at 20 lines/mm.

Multithreading:  The ability for a software application (edition program) to perform multiple tasks at the same time.

Near Field Communication (NFC) : is an alternative type of wireless connectivity that enables a short-range communication between a mobile devices (Android smartphone) and a digital camera. Touching the phone to the camera body or bringing them into proximity, usually no more than a few inches, will pair the two and allow communications via a Wi-Fi connection. This gives the ability to copy images from the camera to the smartphone. Some smartphone apps will allow the phone to trigger the camera shutter and/or adjust the exposure compensation.

N MOS Sensor:  (negative-channel metal oxide semiconductor)A CMOS sensor sibling, NMOS is becoming part of the digital camera lexicon as well. It is a sort of hybrid CCD/CMOS sensor, in that they generate an electrical signal that is passed off to a processor, but they are said to excel at getting excellent quality from each pixel site.

Nodal Point: The point in the lens where the light paths cross or the image flips from upright to upside down before being focused on the camera sensor.

Noise: Image artifacts caused by complex variations with color that manifest themselves as grain on an image. Excessive noise, which is most often seen first in shadows, usually results in an objectionable-looking image. High-resolution digital cameras with small image sensors, where more pixels are forced to live in a smaller space and have physically smaller photodiodes are more subject to noise than sensors with larger photodiodes. High ISO (light sensitivity) also generates image noise. Most digital cameras are equipped with some form of noise reduction that is either automatically triggered with high ISOs or long exposures or, in higher-end cameras, can be turned on and off manually. When noise reduction is applied in camera (or via image-editing software), it can result in softened or blurred details to lessen the visibility of the noise. 

Normal Lens: A lens that has a field of view that is equivalent to the field of view of the human eye, roughly 50mm.

OLED:  (Organic Light-Emitting Diode) Is a light-emitting diode (LED) in which the emissive electroluminescent layer is a film of organic material that emits light in response to an electric current. An OLED display works without a backlight and can display deep black level and offers a screen that looks like an LCD (Liquid Quarts Display) only updates quicker, uses less power and is brighter, sharper, more vibrant and readable from the sides, even at an angle of 165 degrees off center.

Optical media: Data storage media that uses a laser to write and read data; can be quite long lasting.

Optical Nodal Point: (Panorama pivot point):  It is the distances forward from the film plane position in the camera body the length of the lens in mm. For a 100mm lens it is a point 100mm forward of the focal plane.  On a zoom lens it is the length in mm that the lens is zoomed to.

Optical resolution: The maximum physical resolution of a device. Optical resolution provides better quality than interpolated resolution, which uses software to create additional image information.

Overexposed: An image that was exposed for too long. As an image becomes more overexposed it gets brighter and brighter. Highlights and light color areas wash out to completely white. Once highlights are lost, burned out,  they can not be recovered.

p: See Progressive (p)

Parfocal zoom lens:  A zoom lens design that holds its focus when you zoom.

Passive Auto Focus System:  Does not use an infrared ranging beam to determine distance. Passive autofocus cameras use the light falling on photocells to determine the correct focus. There are two different types of Passive Auto Focus Systems used: Phase-detection and Contrast-based.

Passive Contrasted-based Auto Focus System:  Used on most consumer cameras.  This system is slower that the phase-detected system and must have some contrast in order to focus.  Does not work well with action subjects.

Passive Phase-detection Auto Focus System: Used on all D-SLRs, some

light coming through the lens is diverted to an AF module, were it is split into

two parts and directed onto two sensors.  These sensors determine where the distance.

Perceptual Colorimetric:  If any colors in the image are beyond the range of colors the printer can produce (the color gamut of the printer), then the image is desaturated to the point that all colors are printable. The key benefit of the Perceptual rendering intent is that the relative relationships between colors are retained. Therefore, you won’t end up with certain colors remaining saturated and other colors getting desaturated, producing an “odd” effect in the image.

Petabyte: A Petabyte is approximately 1,000 Terabytes or one million Gigabytes.

Pincushion Distortion:  The tendency of a lens to bow straight lines inward.

Predictive continuous auto focus:  Also referred to as AI focus mode.  Takes successive focus readings and determines the direction and speed of the subject so it can anticipate the next focus point.  Works best with subjects moving in a constant direction and speed.

Pentium: A microprocessor manufactured by Intel available in Windows-based computers. Peripheral: A piece of hardware that’s not part the CPU and allows some important function of the computer, such as scanning or printing. Usually an external device.

Photo CD: A storage system for photographs developed by Kodak to use a CD as media; images can be added to CD at any time.

Picture CD: Another CD storage system developed by Kodak and others, to allow images to be put on disk at the time of processing.

Pixel: Short for picture element (pix/picture, el/element). A pixel is a single light-sensitive address. The smallest element ofa picture that can be controlled by the computer.

Plano-Parallel: A term used with lens filters to indicate that every point on each side of the filter is perfectly flat and parallel with the opposite side.

Plug and Play: Astandard that allows a computer operating system to recognize a device and install it fairly easily.

PNG(Portable Network Graphics): It’s a lossless bitmap image format that is popular on the World Wide Web and can be used to store image files. PNG was largely developed to deal with some of the shortcomings of the GIF format and allows storage of images with greater color depth and other important information. PNG uses a non-patented lossless data compression method known as deflation. Due to it on most images PNG can achieve greater compression than GIF and allows for three different styles of transparency.

Posterization:  The loss of smooth gradations of tone and color in an image. Instead of a continuous gradation of tone there are fewer tones, with abrupt changes from one tone to another. Unwanted posterization, also known as banding can occur when the color depth, also called bit depth, is insufficient to accurately sample a continuous gradation of color tone.

Power Aperture:  Power Aperture is a Nikon Camera function that adjusts the attached Nikkor lens aperture in 1/8 steps as opposed to the usual 1/3 steps. The smaller steps result in a smoother aperture transition during recording of movies to external HDMI devices resulting in an exposure that also changes more smoothly according to changing lighting conditions. Canon produces a special line of STM stepping motor drive lenses that deliver smooth and quiet continuous AF and continuous aperture control.

PPI (Pixels per Inch): It describes how many pixels an image contains per

inch of distance (horizontally or vertically). The number (density) of pixels per inch in an image, often incorrectly used interchangeably with dpi. Increasing the density of pixels (PPI), and the optimum print size decreases, decreasing the density (PPI) and the optimum print size increases. PPI is also universal because it describes resolution in a way that doesn’t vary from device to device.

PPI Resolution: Refers to a value that relates to printing an image, and how the actual pixels in the image will be distributed on the printed page, or how big the image will be printed with the available number of pixels. For images that will only be displayed digitally (such as via email, on a website, on an iPad, etc.), ignore the ppi resolution and think only about the actual pixel dimensions. For example, in many cases digital projectors operate at 1024×768 pixels, which is also appropriate for typical computer display, email and IPads. For blog or other moderate online use 450 pixels on the long side is recommended.

Primary Colors:  The red, green and blue hues used to create all other colors.

Profile:  Printer profiles are created in a standard way by measuring the color values after printing a chart on each of the paper-type-and-ink combinations. These files will have a .ICC or .ICM extension.

Progressive (p):  Basic video term for a system that produces an image by scanning each line (or row of pixels) in a sequential order rather than an alternate order, as is done with interlaced scan. In the progressive scan, the image lines (or pixel rows) are scanned in numerical order (1,2,3) down the screen from top to bottom, instead of in an alternate order (lines or rows 1,3,5, etc… followed by lines or rows 2,4,6). Note: NTSC standards are 60i for interlaced and 24p for progressive. The PAL equivalents are 50i and 25p.

ProPhoto RGB: (color space), also known as ROMM RGB (Reference Output Medium Metric), is an RGB color space developed by Kodak that offers an especially large gamut designed for use with photographic output in mind. This color space is generally offered in post processing software not in digital cameras. When working in color spaces with such a large gamut, it is recommended to work in 16-bit color depth to avoid posteriztion effects.

RAID(Redundant Array of Independent Disks, originally Redundant Array ofIinexpensive Disks) a storage technology that combines multiple disk drive into a logical unit for the purposes of data redundancy and performance improvement. Data is distributed across the drives in one of several ways, referred to as RAID levels, depending on the specific level of redundancy and performance required.

RAM (Random Access Memory): The computers memory that’s actually active for use in programs; comes on special chips.

Raw: An image-capture option containing the maximum information available from a sensor without the application of in-camera processing algorithms. This allows photographers to have more control over the final image by processing the image manually in a software program. The format is offered by many high-end compact digital cameras as well as D-SLRs. Each camera company has its own RAW format and corresponding software to support the format. Image-editing applications like Adobe Photoshop are also capable of opening and processing images shot in RAW.

Raw File Format: Canon: CRW, CR2 Casio: BAY Epson: ERF Fuji: RAF

Relative Colorimetric: Any colors that the printer is able to reproduce accurately won’t be changed at all. Only out-of-gamut colors will be adjusted, and they will be shifted to the closest matching color value. That means most of the image will be printed “accurately”, and only colors the printer can’t reproduce will be altered. Generally, Relative Colorimetric rendering intent produces better results in most cases than Perceptual Colorimetric.

Kodak: DSC, DCR, IIG, K25, KDC Minolta: MRW Nikon: NEF, NRW Olympus: ORF Panasonic: RAW, RW2 Pentex: PTX, PTF Samsung: SRW Sony: ARW, SRF, SR2 and Adobe: DNG

Real time: The actions of the computer are seen at the same time as you perform them.

Reciprocity: Exposure parameters have a reciprocal relationship so that different combinations of parameters produce the same exposure. For example, setting you camera to a shutter speed of 1/250th of a second at f8 is the same as setting it to 1/125th at f16.

Rectilinear:  An optical design used in wide-angle lenses to keep straight lines from distorting, particularly at the edges of the frame.

Release-priority:  Used on most D-SLRs, continuous auto focus mode, to allows the shutter to trip at any time, weather the subject is in focus or not

Removable media: Any storage system package that can be removed from the data drive, such as a Zip disk or CD-R.

Resolution: Camera resolution expressed in the number of photodiodes (megapixels) on the image sensor. More megapixels equals higher resolution. It’s important to note that many factors go into image quality, and resolution is only one of them. If you have a poor-quality lens on a high-resolution camera, you’ll get a high-resolution image of poor quality. Higher-resolution image files can produce larger prints than lower-resolution files.

RGB: The three primary colors of red, green and blue that our eyes perceive as the basis for every other color. When added together equally, they make pure white. Most, but not all, digital photography uses an RGB color space.

Ring-type motor: Auto focus motor found in some lens that are very quite and fast.  They also have the ability to allow manual over-ride focusing when in auto focus mode.

Ringing: White, ring-like border around distinct edges in a photo that occurs when the photo has been over sharpened.

ROM (Read only memory): A special type ofpermanent computer memory that can’t be altered. It keeps its information even when the computer is shutdown.

RSS (Really Simple Syndication):  A family of web feed formats used to mpublish blogs or news feeds.

Scanner (drum, flatbed, or slide): A sensing device that captures photos, slides, or negatives and translates them into digital files for the computer.

SCSI (Small Computer Systems Interface): A very fast system that connects peripherals to the CPU, called a “scuzzie.”

SDIO: Secure Digital Input/Output. SDIO devices work in a Secure Digital memory card slot. There are many such devices, including tiny hard drives, GPS gadgets, or, in this case, Wi-Fi networking.

Selective focus:  A selective part of the image is in focus and the balance of the image is less in focus.  Special lens, such as the Lensbaby, are designed to produce this effect. This effect works best when there’s a single subject.

Sensor: The light-sensing part of a digital camera, usually a CCD or CMOS chip.

Service bureau: Abusiness providing image services such as Photo CDs, slides or large prints.

Shutter: A mechanism that sits in front of the focal plane in a camera and that can open and close to expose the image sensor to light. Many digital cameras do not have physical shutters, but mimic shutter functionality by simply activating and deactivating the image sensor to record an image.

Shutter Priority: A shooting mode on a camera. Shutter priority lets the photographer define the camera’s shutter speed. The camera will then calculate a corresponding aperture based on its light metering.

Shutter Speed: The length of time that it takes for the shutter in a camera to completely expose the focal plane. This controls, in conjunction with the aperture setting, the amount of light that hits the sensor, thereby determining the exposure. At the same time, the shutter speed can affect whether or not the image is in focus, especially if the subject is moving. Faster shutter speeds are measured in fractions of one second—averaging 1/4000th of a second or higher. Many cameras also allow the shutter speed to be set in full seconds for longer exposures.

Sidecar:  Instruction written, as Metadata, for a RAW file image.

Side Light:  Light produced when the sun or light source is at right angles to the camera. This type of lighting produces shadows and is ideal for showing textures and forms.

Single Lens Reflex (SLR/D-SLR): A camera whose viewfinder looks through the same lens that the camera uses to make exposure.

SmartMedia®: A type of reusable, removable storage.

Smart Buffer: (Also see Buffer) A buffer used in D-SLR cameras which combines the before and after buffering process in one buffer. This allows data to flow freely within the camera and avoids bottle necking from the buffer to the memory card, and is the most efficient for shooting in bursts.

Soft Light:  Light produced by overcast skies that will produce low contrast images with little or no shadows.

Spherical aberration: Optical flaws that cause light rays entering the edge of a lens to focus at a different point than rays entering in the center.

Spot Meter: A light meter that measures a very narrow circle of the scene.

sRGB Color Space: is the standard RGB color space created by HP and Microsoft in 1996 for use on monitors, printers, and the Internet.  It is offered in most digital cameras. It was designed to offer the best display on CRT monitors. Renders 65% less color shades than Adobe RGB.

Stop: (1) The double or halving of any value. (2) A measure of the light that is passing through a camera lens to the focal plane (sensor or film). Every doubling or halving of light – either through changes in aperture, shutter speed, or ISO – is one stop.

Telephoto: a lens with a focal length that is longer then normal. As a lens gets more telephoto, its field of view decreases.

Terabyte: A Terabyte is approximately one trillion bytes, or 1,000 Gigabytes.

Thumbnail: A small,low-resolution version of an Image.

TIFF (Tagged Image File Format): An important and lossless bitmap image format common to most image processing programs. A standard image file format for bitmapped graphics. TIFF files are uncompressed and, therefore, very large compared to compressed formats. Not only do TIFF files occupy more hard-drive space for storage, but also it takes longer for the camera to write these files to a media card, thereby slowing down some aspects of camera performance. Because TIFF is a standard, TIFF image files can be read by all image-processing software.

Trademark: A word, name, symbol or device or any combination thereof, used to distinguish a particular good from another in the market place.

TTL: A viewfinder mechanism that looks through the same lens that is used to focus the image onto the focal plane. Short for ‘Through the Lens’.

TTL Flash: (through the lens) flash metering:  required the photographer to perform distance calculations by hand.

TWAIN: A standard protocol that allows communication from various types of scanners to the software.

UD, LD and ED Glass:  (Low-Dispersion, Extra-Low-Dispersion and Ultra-Low-Dispersion Glass) All these terms refer to a glass type used in lenses. These formulated glasses correct the path of light rays as they pass through the lens, making all colors in the color spectrum focus at the same point. Lenses constructed with these types of glass eliminate or lessen the occurrence of aberrations and some types of artifacts.

UDMA (Ultra Direct Memory Access) is a technology that allows data to be transferred to and from a memory card at an incredibly fast rate without pulling from the host device’s performance. UDMA 7 cards, for example, are able to transfer data at speeds up to 167MB/s. Many high-performance CompactFlash cards are based on UDMA technology and are supported on virtually every current camera that utilizes CompactFlash storage. UDMA cards are capable of not only transferring data at high rates from the card, but also onto the card. With a UDMA card, your processing time and transfer speed from the camera to the card is significantly shorter, which lets you take more images in quick succession. NOTE:  Camera must be UDMA certified to use these cards

Underexposed: An image that was not exposed enough. In an underexposed image, dark, shadow areas turn to completely black. 

Unsharp Masking (USM): A sharpening technique that looks at contrasting edges within an image and intensifies them.

USB (Universal Serial Bus):  A type of serial connection provided by many computers and digital cameras. Can be used for transferring images between camera and computer. 

Variable Aperture Zoom Lenses: A lens in which the aperture decreases in size as the lens is zoomed from wide-angle to a longer focal length. These lens are much less expensive than fixed zoom lenses. Since to day’s cameras all use TTL metering there is little disadvantage except that a smaller aperture at the longest focal length produces a longer depth of field (DOF) making it harder to produce a background that is out of focus.

Varifocal zoom lens:  A zoom lens design that does not hold its focus as you zoom, requiring you to refocus after each zoom.

VGA resolution: 640X480 pixels.

Video board: A part of file CPU that processes display information for the monitor.

Vignetting:  The barrel or sides of the lens become visible, resulting in dark corners in a image. Most lenses are brighter in the center than at the edges, especially when wide open. This is especially pronounced with wide-angles and some long telephoto lenses, or when stacking filters. Although lens vignetting is usually unwanted, vignetting can also be used intentionally to create a sort of “spotlight” effect that, if done subtly, draws the viewers eye to the subject of the photograph. It is particularly well suited to portraits.

Virus: A malicious implant some warped individuals put info software that can cause failures of systems including data or memory logs.

Volume anamorphois: The characteristic stretching of an image seen at the end of the frame in a wide-angle shit.

White balance: A calibration of color temperature to a degree on the Kelvin scale where white reads as white, rather than the varying shades of white caused by different lighting conditions. White in the morning, for instance, is a cooler blue of white, especially when compared to the very warm yellow of afternoon sun. White-balance settings can be changed within the digital camera to adjust for sun, shade, tungsten and fluorescent lighting; automatic white balance is also an option, although accuracy is generally inconsistent. Custom or manual white balance is available in many cameras and is accomplished by pointing the camera at a white surface and clicking the shutter. Higher-end cameras have a variety of white-balance options, including the ability to set Kelvin temperatures manually.

Wide-angle: A lens with a focal length that is shorter than normal. As a lens gets more wide-angle, its field of view increases.

World Wide Web: That part of the Internet where text, pictures, and graphics come together in an integrated unit or page.

 .XML:  (Extensible Markup Language) an Adobe file using a tagging language  designed to bevery flexible and to share data across different computer programs. XML files are text based and can be viewed in many different Web browsers and text editors.       

.XMP: Metadata file (EXtensible Metadata Platform) initiated by Adobe to promote a standard for photography metadata.  RAW sidecar information files are text files with an .XMP extension.

Zip drive: A drive developed by Iomega for storing information that uses 100 or 250 MB storage in removable media.

Zone system: A method of calculating exposure. 

Zoom: Lens with a variable focal length, often wide-angle to telephoto, that allows photographers to change how much of a scene can be captured by the camera.

Zoom Ratio: Referred to as “X” in camera and zoom lens ratings.  Ratio is determined by dividing the shortest lens focal length into the lens longest focal length, (a 28mm-280mm lens has a zoom range of 10X).

1:1 Viewing Ratio:  Viewing animage at a 1:1 ratio, meaning that one pixel on your monitor equates to one pixel in the image. At any other zoom setting the display on the monitor is not at a 1:1 ratio, so that either one pixel on the monitor represents multiple pixels in the image, or one pixel in the image requires multiple pixels on the monitor. When you view the image at a 100% zoom setting, you are seeing the actual effect on the actual pixels in the image.

3:2 ratio: Is a measurement of the dimensions of a photo. The photo measures at a ratio of three pixels wide by two pixels tall, which calculates to photos measuring about 1.5 times as wide as they are tall. The actual size of this image in pixels can be 300 x 200, 600 x 400 or 1350 x 900. So long as the relationship between the width and the height is always 3 to 2, the aspect ratio does not change even though the size of the image does. Other common aspect ratios for digital photography include 4:3 and 16:9. With most digital cameras, you can set the aspect ratio through the menu.

4:3 ratio: Is a measurement of the dimensions of a photo. The photo measures at a ratio of four pixels wide by three pixels tall, which calculates to photos measuring about 1.33 times as wide as they are tall. The 4:3 ratio (generally named as “Four-Three”, “Four-by-Three”, or “Four-to-Three”) for standard television has been in use since television’s origins and many computer monitors employ the same aspect ratio. 4:3 is the aspect ratio used for 35 mm films in the silent era and for film production under the name Super 35.

16:9 ratio: Is a measurement of the dimensions of a photo. The photo measures at a ratio of sixteen pixels wide by nine pixels tall, which calculates to photos measuring about 1.78 times as wide as they are tall. Ggenerally named as “Sixteen-Nine”, “Sixteen-by-Nine” and “Sixteen-to-Nine” is the international standard format of HDTV, non-HD digital television and analog widescreen television (EDTV) PALplus.

18% Gray Card:  See Gray Card

 

© Sonny Saunders

    September 27, 2006

    Revised: August 12, 2011

    Revised: February 14, 2012

    Revised: November 20, 2012

    Revised: March 2, 2013

    Revised: October 18, 2013

    Revised: February 2014

    Revised: March 2014

    Revised: July 2014

    Revised: November 2014


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